Tuesday, December 6, 2011 Sunday, November 28, 2010
On the brink of the end of paper, I was attracted to the idea of a book that can’t forget it has a body.

Jonathan Safran Foer’s ‘Tree of Codes’: Book as Art Object

He is so creative, so brilliant and so damn smart.

Sunday, July 11, 2010
Stainless steel laser cut in cross-stitch lace. Stunning.
via illustrativo:

Imogen Luddy
Oh how surprisingly, awfully gorgeous this cross stitch table is in real life. Using a 16th century Italian lace as a starting point she created this laser cut stainless steel table top. Super tasteful. Playful. Witty.
The picture can not give back it’s nobility at all.
Imogen Luddy’s statement:
[Awards: The NEWH Scholarship]
“My textile practice spans  wallpapers, fabrics, surfaces and desirable products for interior  environments. Working across a wide range of media, including  laser-cutting, embroidery, crochet and ceramics, I seek to find new and  innovative ways of exploring traditional crafts.
Using antique  lace, doilies and embroidered samplers as a starting point, the aim of  my final collection is to subvert these traditional practices by  ‘digitising’ their structures and reproducing them in unexpected  materials.”

Stainless steel laser cut in cross-stitch lace. Stunning.

via illustrativo:

Imogen Luddy

Oh how surprisingly, awfully gorgeous this cross stitch table is in real life. Using a 16th century Italian lace as a starting point she created this laser cut stainless steel table top. Super tasteful. Playful. Witty.

The picture can not give back it’s nobility at all.

Imogen Luddy’s statement:

[Awards: The NEWH Scholarship]

“My textile practice spans wallpapers, fabrics, surfaces and desirable products for interior environments. Working across a wide range of media, including laser-cutting, embroidery, crochet and ceramics, I seek to find new and innovative ways of exploring traditional crafts.

Using antique lace, doilies and embroidered samplers as a starting point, the aim of my final collection is to subvert these traditional practices by ‘digitising’ their structures and reproducing them in unexpected materials.”

Thursday, March 4, 2010
Why render when you can extrude?

Extreme Makeover, Weiner Edition: RKS Redesigns the Deadly Hot Dog | Design Reach | Fast Company

This is the best thing I’ve read in a very long time.

Friday, February 5, 2010
Anatomical Designers’ Tongue: labeled parts include “comic sans rejection buds”. LOVE. (by lunchbreath, hat tip to Elin)

Anatomical Designers’ Tongue: labeled parts include “comic sans rejection buds”. LOVE. (by lunchbreath, hat tip to Elin)